Members Evening – January 10th 2023

Our first meeting of the New Year kicked off with an entertaining and instructive talk by Peter Brogden about why and how to clean DSLR camera sensors.  He started by showing us a house of horrors of poor or non-existent care of cameras and lenses, a sort of Darwin Awards for photographic equipment maintenance.

Cameras are not hermetically sealed boxes and dust will get inside. If you are using a zoom lens each time you zoom in and out you are forcing air, and therefore dust, into the camera. Each time you change a lens then dust can enter the camera. That dust will settle on, not necessarily the sensor, but on the low pass filter that sits in front of the sensor. .
Peter ran through the sequence of cleaning, starting with how to discover if there is dust on the sensor by firstly taking a photo of a blue sky or a piece of paper using a small aperture, say f22. Then in your photo editing software bring down the whites and blacks and the dust will appear as blotches in the image. He made a clear distinction between dust and contamination which can be either water spots or greasy spots.

Firstly the dust should be removed which is a dry cleaning process. Make sure your batteries are fully charged then remove the lens and lock up your mirror to reveal the sensor.  With mirrorless cameras the sensor is usually visible once the lens is removed. To remove dust from the sensor use a ‘blower’ for this. Never use canned and compressed air.  Once the blower stage is completed use a silicone pad and dab it on the sensor four times, once in each corner.

If there is contamination by water or grease, the next stage is a wet clean using swabs and cleaning solution. Swabs are available in different sizes depending on the size of the sensor. After applying a few drops of cleaning solution on the end of the swab, insert it into the camera, start one side of the sensor, swipe across the sensor to the other end, reverse the swab and swipe back to the start.

After a short break, Bob Philpott shared details of his experiences using trail cameras and CCTV to track wildlife. He started off with an inexpensive trail camera to develop his familiarity and experimented with different set ups before moving to more advanced equipment to capture photos and/or video. Video is his preference as it gives an insight into the behaviour of the subject being captured which is more informative than a still image. Some methods to reduce infra-red flare on night images were covered along with ways to secure the camera when installed in a public location. A good deal of time and patience is needed to capture images and once an animal’s behaviour is understood, this increases the likelihood of obtaining pleasing results. His footage included mainly deer, foxes, hedgehogs and an active badger sett.  A specially constructed box with entry and exit points and a camera secured inside had successfully achieved footage of smaller wildlife including field mice, a shrew and a rat exploring the surroundings.

Bob is a keen environmentalist and a member of the RWB Environmental Trust. A key objective of his work is to record wildlife activity and upload this into a national database. This enables not only the general well being of the local environment to be assessed but also provides a means to protect habitats to enable the wildlife to thrive.

Christmas Dinner – December 13th 2022

Members met at The Angel Hotel for their Christmas Dinner and enjoyed good food, wine and company.  With everyone being “off duty” and no-one bringing along their SLRs, it was down to the serving staff to take some pictures on a mobile phone to record the event.

We now have a break to recharge the batteries and meet again on Tuesday 10th January 2023 for a Members Evening.

Merry Christmas

Xmas Dinner 2022

Competition Evening #2 – November 29th 2022

Our second competition of the season included an Open section and a themed section of “Shadows”.  It was very competently judged by Peter Orr ARPS who gave detailed and constructive feedback on the images and also added background information, particularly for the wildlife images on show. Both sections attracted a healthy number of entries with widely differing interpretations of the subject matter. Prints were judged first and a digital projection of each print was used for the first time. This enabled the audience to have a better view of the print content but it was the physical mounted print that was being judged. 

The winning print entries were as follows:

– Open Prints “Stag” by Nigel Walkley

Prints Open "Stag"

Prints Open “Stag”

– Shadows Prints “Shining example” by Nigel Walkley

Prints Shadows "Shining example"

Prints Shadows “Shining example”

After a short break, the projected images were judged and the winning entries were as follows:

– Open DPI “Rust in pieces” by Dave Bound

Open Prints “Rust in pieces”

– Shadows DPI “Colourful shadows” by Peter Hodgson

Shadows DPI "Colourful Shadows"

Shadows DPI “Colourful Shadows”

This concludes our formal programme and the final activity of the year will be the Christmas Dinner on December 13th which will be held at The Angel Hotel. It only remains to wish our Club and Facebook members Best Wishes for a Merry Christmas and a Healthy New Year.

Presentation “My Portraiture Journey” – November 15th 2022

Terry Walters from Swindon Photographic Society gave an inspiring talk on his journey in portraiture photography with over 140 images of his work. Starting from Club photography sessions with models, he moved onto working with both amateur and professional models in a variety of locations including disused warehouses, ruined castles, reenactment events to beaches. His competitive nature and quest for different or unusual images takes him off the beaten track to find them and his work has gained wide recognition with just under 900 images accepted in international exhibitions gaining EFIAP, EPSA and BPE2 accreditation.

 

A variety of lighting set ups were covered ranging from natural light in both indoor and outdoor settings through to stroboscopic lighting to achieve the desired effects against challenging backgrounds. Guidelines and protocols for working with models were outlined along with the pros and cons of working with amateur v professional models and also being able to handle unexpected moments which were the subject of several anecdotes.

 

When Terry arranges a model shoot he takes along his “props box” which provides a never ending range of items to adorn the models and create the exact image that he is looking for.  Props ranged from clothing items, smoke grenades and imitation firearms to name but a few. 

 

A selection of prints were displayed during the interval which members could examine up close and fully appreciate their quality.

DPIC Evening – November 1st 2022

The slideshow produced by the Western Counties Photographic Federation of the top entries into their 2022 annual digital projected images competition was viewed and featured entries from the top 10 clubs across the region and the overall winning entries. Over 100 images were viewed spanning many photographic genres and as expected the quality of images was impressive with many having been taken around the globe in some exotic locations.

The travel theme was continued after the interval when we viewed a recorded lecture by Sue O’Connell entitled “Travels in Mongolia”. This described the visits Sue and her husband made to the Altay mountains in the far west of the country, where they spent time with the eagle hunters and attended the annual Eagle Hunting Festival, followed by travelling to the Gobi desert in the south. Over the 45 minutes Sue gave a great insight into the main characteristics of Mongolian culture, their way of life, cuisine, customs and particularly the strong relationship and mutual dependence upon their livestock to survive the very harsh and unforgiving environment.

Macrophotography Practical Evening – October 18th 2022

Our much awaited and eagerly anticipated practical evening attracted a great response from the membership and also a number of visitors. Four tables were set up in the room on which a wide variety of displays were evident ranging from autumn leaves, flowers, conkers, acorns, office equipment items, fixings, a model bus and figures and even a ladybird. Lighting accessories included on and off-camera flash units, led lights of various shapes, sizes and output to small led lights in situ in a studio light box. Each table had a supervisor to assist people to experiment with camera settings, take images and answer any questions that arose.

People were able to circulate around the displays and explore different lighting approaches, coloured backdrops and even rearranging the displays in some cases. Conversations were struck up on the equipment and techniques being used as well as comparing images taken.

The limited depth of field in macrophotography is one of the major challenges and the evening concluded with a short presentation on using the photo stacking facility in Photoshop to show the results that can be achieved with sufficient patience and computing power to process multiple images. Hopefully a few attendees will have been inspired to explore this area of photography further.

Horse Chestnut

Competition Evening #1 – October 4th 2022

Our first competition round of the new season comprised two competitions with “Open” subject and a themed competition ” Telling a story”. Julie Kaye from Hanham Camera Club kindly agreed to judge the print and projected image entries and the membership contributed a very healthy input of entries.

The print entries were viewed firstly and it soon became clear that the theme of Telling a story proved to be very challenging to fully comply with but some creative attempts were evident. The winning print was “Two Seasons”, a diptych from Jim Bullock and Jim also won the Open print section with “Orchid Flowers”

After a short break we then viewed the 55 projected images and the judge patiently provided a critique of each image before selecting “Red Kite eyeballing” by Dave Garmont as the Open winner and “Amateur Dramatics” by Rob Slade as the themed competition winner. Our next meeting is a Macrophotography practical evening.

Red Kite eyeballing

Red Kite eyeballing

Amatuer Dramatics

Amatuer Dramatics

Macro-photography Lecture – September 20th 2022

We started the evening with an Extraordinary General Meeting to elect a new Club President as the position had been vacant since the passing of the previous President in April. Roger Smith was duly elected as Club President.

The remainder of the evening was spent viewing a recorded lecture from PAGB on The Essential Guide to Close up and Macrophotography which had been produced by the EOS Training Academy and comprised 4 parts.  Thes lecture looked at the techniques that you need to master and gave an in depth understanding of how great close up and macro images are captured. A range of topics were covered including an explanation of the difference between close up; macro and microphotography which was largely determined by the level of magnification of the image. Close up images with magnifications smaller than life size can be achieved with standard equipment but as you move to macro-photography (life size images) and micro-photography (greater than life size) the equipment becomes more specialised and generally more challenging. An outline of various equipment options was explained along with ideas on lighting techniques, use of flash equipment and focusing techniques. Hopefully the lectures will have served as a useful background for the macro-photography practical evening scheduled in one months time.

WCPF Travelling Prints – September 13th 2022

After a long absence due to the pandemic, we were able to resume our viewing of the Travelling Prints Exhibition which featured a selection of 71 prints entered into the Members Exhibition held earlier this year. The selection comprised 20 Nature prints, 26 Open Colour prints and 25 Open Monochrome prints.

As expected the prints were of the highest quality, covering a wide range of subjects and genres. Previously we had viewed each print as a group but this year we did things differently by setting up tables with a small group of members at each and letting them view each category in turn and selecting their first and second place entries. Not surprisingly the outcomes were generally different between the groups and also with the official judging results although the same monochrome image of a gymnast was selected by club members.

It was an enjoyable evening that attracted good participation and gave members the opportunity to critique other photographer’s work as opposed to being on the receiving end. The seemingly fashionable trend of using cream/ivory coloured mounts was evident, as was the distinct preference for non-glossy photographic papers.  Hopefully those who participated will be inspired and motivated in developing their own print images and printing techniques.