Summer Photoshoot 1 – June 27th 2023

Whilst the weather gods spared us from rain, they bestowed us with a very cloudy and overcast evening and generally poor lighting conditions. Nevertheless, a number of members met in the center of Malmesbury and visited the main sights such as the Market Cross and the 12th century Abbey and its grounds.

After having explored many of the viewpoints that each attraction offered, we adjourned to a local hostelry for a well deserved drink and to chat about photographic matters in their widest sense.

Members Evening – March 21st 2023

Our second Members Evening of the season gave attendees the practical opportunity to create images through; i) intentional camera movement (ICM) and ii) abstract macrophotography of oil/water droplets. Whilst ICM is a simple concept, shooting indoors using artificial light does tend to restrict the range of subjects and effects that can be explored.

Getting set up

However, a simple display with a clown puppet in front of a very colourful, patterned backdrop allowed people to experiment with camera settings and a variety of camera movements to suit their artistic goals.

Intentional Camera Movement

A second display featured a glass bowl of water placed on a sheet of glass above a light source with the camera positioned vertically above the water surface. By adding oil droplets and experimenting with different coloured backgrounds beneath the bowl, some pleasing outcomes were achieved. The use of coloured food dyes proved additional scope for creative compositions before they fully dispersed and the process was restarted.

Aside from exploring camera settings and getting refamiliarised with different lens options, the evening also encouraged members to socially interact in a more extensive way than standard meetings allowed and it’s fair to say that we all learned something new, including the folly of buying a cheap glass prism and then struggling to produce a light spectrum.

Competition Evening – February 7th 2023

Our third and penultimate round of competitions for the Mayor’s Cups for prints and projected image was judged by Sandie Cox, who is well known to the Club from previous visits both as a judge and a speaker.

The competition subjects were Open and Rural and with the wide definition of the latter subject, some of the images entered into the Open competition would also have fitted well into the Rural category. Several images depicted cold, frosty and foggy scenes indicative of some of the recent weather conditions that we had experienced.

The print competitions received a modest number of entries from the small but enthusiastic core of print photographers and were judged first, with both the print on display and a digital image of the print projected alongside to improve the viewing capability for the audience. The winning open print was Barbury ground squirrel by Nigel Walkley with Stanton park lake from Dave Garmont taking the Rural first place.

Barbury Ground Squirrel

Stanton Park Lake

As expected, the projected images attracted a healthy number of entries and occupied most of the evening’s judging activity. The winning Open image was ‘Waiting for the rain to stop’ by Jim Bullock who also took first place in the Rural category with a composite image taken by mobile phone ‘ Misty vale at first light’.

Waiting for the rain to stop

Waiting for the rain to stop

017_015_Rural_Misty vale at first light

With our final competition in April, the league tables are competitively poised and it’s still all to play for!

 

Members Evening – January 10th 2023

Our first meeting of the New Year kicked off with an entertaining and instructive talk by Peter Brogden about why and how to clean DSLR camera sensors.  He started by showing us a house of horrors of poor or non-existent care of cameras and lenses, a sort of Darwin Awards for photographic equipment maintenance.

Cameras are not hermetically sealed boxes and dust will get inside. If you are using a zoom lens each time you zoom in and out you are forcing air, and therefore dust, into the camera. Each time you change a lens then dust can enter the camera. That dust will settle on, not necessarily the sensor, but on the low pass filter that sits in front of the sensor. .
Peter ran through the sequence of cleaning, starting with how to discover if there is dust on the sensor by firstly taking a photo of a blue sky or a piece of paper using a small aperture, say f22. Then in your photo editing software bring down the whites and blacks and the dust will appear as blotches in the image. He made a clear distinction between dust and contamination which can be either water spots or greasy spots.

Firstly the dust should be removed which is a dry cleaning process. Make sure your batteries are fully charged then remove the lens and lock up your mirror to reveal the sensor.  With mirrorless cameras the sensor is usually visible once the lens is removed. To remove dust from the sensor use a ‘blower’ for this. Never use canned and compressed air.  Once the blower stage is completed use a silicone pad and dab it on the sensor four times, once in each corner.

If there is contamination by water or grease, the next stage is a wet clean using swabs and cleaning solution. Swabs are available in different sizes depending on the size of the sensor. After applying a few drops of cleaning solution on the end of the swab, insert it into the camera, start one side of the sensor, swipe across the sensor to the other end, reverse the swab and swipe back to the start.

After a short break, Bob Philpott shared details of his experiences using trail cameras and CCTV to track wildlife. He started off with an inexpensive trail camera to develop his familiarity and experimented with different set ups before moving to more advanced equipment to capture photos and/or video. Video is his preference as it gives an insight into the behaviour of the subject being captured which is more informative than a still image. Some methods to reduce infra-red flare on night images were covered along with ways to secure the camera when installed in a public location. A good deal of time and patience is needed to capture images and once an animal’s behaviour is understood, this increases the likelihood of obtaining pleasing results. His footage included mainly deer, foxes, hedgehogs and an active badger sett.  A specially constructed box with entry and exit points and a camera secured inside had successfully achieved footage of smaller wildlife including field mice, a shrew and a rat exploring the surroundings.

Bob is a keen environmentalist and a member of the RWB Environmental Trust. A key objective of his work is to record wildlife activity and upload this into a national database. This enables not only the general well being of the local environment to be assessed but also provides a means to protect habitats to enable the wildlife to thrive.

Christmas Dinner – December 13th 2022

Members met at The Angel Hotel for their Christmas Dinner and enjoyed good food, wine and company.  With everyone being “off duty” and no-one bringing along their SLRs, it was down to the serving staff to take some pictures on a mobile phone to record the event.

We now have a break to recharge the batteries and meet again on Tuesday 10th January 2023 for a Members Evening.

Merry Christmas

Xmas Dinner 2022

DPIC Evening – November 1st 2022

The slideshow produced by the Western Counties Photographic Federation of the top entries into their 2022 annual digital projected images competition was viewed and featured entries from the top 10 clubs across the region and the overall winning entries. Over 100 images were viewed spanning many photographic genres and as expected the quality of images was impressive with many having been taken around the globe in some exotic locations.

The travel theme was continued after the interval when we viewed a recorded lecture by Sue O’Connell entitled “Travels in Mongolia”. This described the visits Sue and her husband made to the Altay mountains in the far west of the country, where they spent time with the eagle hunters and attended the annual Eagle Hunting Festival, followed by travelling to the Gobi desert in the south. Over the 45 minutes Sue gave a great insight into the main characteristics of Mongolian culture, their way of life, cuisine, customs and particularly the strong relationship and mutual dependence upon their livestock to survive the very harsh and unforgiving environment.

Macrophotography Practical Evening – October 18th 2022

Our much awaited and eagerly anticipated practical evening attracted a great response from the membership and also a number of visitors. Four tables were set up in the room on which a wide variety of displays were evident ranging from autumn leaves, flowers, conkers, acorns, office equipment items, fixings, a model bus and figures and even a ladybird. Lighting accessories included on and off-camera flash units, led lights of various shapes, sizes and output to small led lights in situ in a studio light box. Each table had a supervisor to assist people to experiment with camera settings, take images and answer any questions that arose.

People were able to circulate around the displays and explore different lighting approaches, coloured backdrops and even rearranging the displays in some cases. Conversations were struck up on the equipment and techniques being used as well as comparing images taken.

The limited depth of field in macrophotography is one of the major challenges and the evening concluded with a short presentation on using the photo stacking facility in Photoshop to show the results that can be achieved with sufficient patience and computing power to process multiple images. Hopefully a few attendees will have been inspired to explore this area of photography further.

Horse Chestnut

Competition Evening #1 – October 4th 2022

Our first competition round of the new season comprised two competitions with “Open” subject and a themed competition ” Telling a story”. Julie Kaye from Hanham Camera Club kindly agreed to judge the print and projected image entries and the membership contributed a very healthy input of entries.

The print entries were viewed firstly and it soon became clear that the theme of Telling a story proved to be very challenging to fully comply with but some creative attempts were evident. The winning print was “Two Seasons”, a diptych from Jim Bullock and Jim also won the Open print section with “Orchid Flowers”

After a short break we then viewed the 55 projected images and the judge patiently provided a critique of each image before selecting “Red Kite eyeballing” by Dave Garmont as the Open winner and “Amateur Dramatics” by Rob Slade as the themed competition winner. Our next meeting is a Macrophotography practical evening.

Red Kite eyeballing

Red Kite eyeballing

Amatuer Dramatics

Amatuer Dramatics